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Capitulum XXXIV

Back to the path

Grammatica Capitulum XXXIV · Dē arte poēticā

The chapter’s grammar note, off the path: open it whenever you need it — mid-lesson, or six months later.

You can now read the forms of Latin. This chapter teaches you to read their duration as well. In verse, a syllable is not merely stressed or unstressed: it is short or long, and that quantity builds rhythm.

1. Quantity belongs to the syllable

A syllable is long in three main situations:

  • it contains a long vowel: mā-;
  • it contains a diphthong: ae, oe, au, eu, ei, ui;
  • it closes with a consonant: in nōbilium, the final syllable -um is long by position.

An open syllable with a short vowel is short. A macron therefore tells you about the vowel, but you must still look at where the syllable ends.

A short vowel may form a long syllable when two consonants follow. Vowel length and syllable quantity are not the same thing.

2. Divide before measuring

Begin by separating the syllables. A single consonant between vowels normally joins the second: a-mi-cus. Two consonants are usually divided: mit-to. Some groups which can begin a Latin word — br, cr, gr, tr — may remain together.

Always work in this order:

  1. divide the syllables;
  2. identify naturally long vowels and diphthongs;
  3. mark syllables closed by a consonant;
  4. only then look for feet.

3. The line links its words

When spoken, a line is not a row of separate blocks. A final consonant joins the following vowel: multus amīcus is read with the s opening the next syllable.

A final vowel often disappears before another vowel or h-; this is elision. The endings -am, -em, -im, -um follow the same rule. Keep every word in writing; only tighten their spoken connection.

4. Four feet to recognise

foot pattern movement
trochaeus — ∪ long, short
iambus ∪ — short, long
dactylus — ∪ ∪ long, two shorts
spondēus — — two longs

Say them aloud and accompany them with a gesture. The dactyl runs; the spondee walks heavily. This physical contrast is more useful than a memorised definition.

5. The hexameter

The hexameter has six feet. The first four may be dactyls or spondees. The fifth is normally a dactyl; the last is a spondee or trochee.

A useful pattern:

— ∪ ∪ | — ∪ ∪ | — ∪ ∪ | — ∪ ∪ | — ∪ ∪ | — ×

In the first four feet, the two shorts of a dactyl may be replaced by one long. The last syllable is free because the end of the line creates a pause of its own.

6. The pentameter

The pentameter divides sharply into two halves:

— ∪ ∪ | — ∪ ∪ | — ‖ — ∪ ∪ | — ∪ ∪ | —

Each half contains two and a half feet. After the central break, spondees no longer replace dactyls. A hexameter followed by a pentameter forms an elegiac couplet.

7. The hendecasyllable

The hendecasyllable contains eleven syllables. Its common movement is:

— — | — ∪ ∪ | — ∪ | — ∪ | — ×

The first foot sometimes varies, but the central dactyl gives the line its shape. Counting syllables is the first check here: if you do not find eleven after elisions, divide the words again.

8. A reading method

Do not try to perform the line first. Work through four passes:

  1. read the sentence for meaning;
  2. mark elisions;
  3. note the certain long syllables;
  4. place foot boundaries, then read naturally again.

Scansion is not a code laid over the text: it reveals the poet's choices. A group of spondees slows the line; several dactyls quicken it. You have not merely measured the verse — you have heard its movement.

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